文学理论与批评

印第安人的女神文化——以莱斯利·马蒙·西尔科的《典仪》为例

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  • 上海外国语大学,上海,200083;
    大连外国语大学,大连,116044
李雪梅,上海外国语大学博士生、大连外国语大学副教授。主要研究方向为英美文学。电子邮箱:xiaoqiaolee@163.com

网络出版日期: 2020-07-25

基金资助

*上海外国语大学第八届研究生科研基金项目“创伤、记忆和历史:创伤视阈下的印第安文艺复兴小说研究”(编号201308074)、2011年辽宁省教育厅科学研究一般项目(编号W2011091)和大连外国语学院2012科研基金项目“创伤、记忆和历史:西尔科的创伤叙事研究”(编号2012XJQN09)的阶段性成果。

American Indian Goddess Culture Exemplified by Silko’s Ceremony

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Online published: 2020-07-25

摘要

印第安的创世神话在拉古纳布普洛家喻户晓,是部落生活的重要组成部分。本文以美国印第安作家莱斯利·马蒙·西尔科的小说《典仪》为例,从文学和文化的角度切入,以主人公塔尤治愈心理创伤,寻求精神救赎之旅为契机,考量支撑这庞大的印第安女人文化的亲缘体系和认识体系,解码隐匿在印第安女神文化背后女性中心主义思想。

本文引用格式

李雪梅 . 印第安人的女神文化——以莱斯利·马蒙·西尔科的《典仪》为例[J]. 当代外语研究, 2014 , 14(03) : 53 -57 . DOI: 10.3969/j.issn.1674-8921.2014.03.010

Abstract

American Indian creation myth, well-known in Laguna Pueblo, is the crucial component in Indian tribal life. This paper, taking the native American writer Leslie Marmon Silko’ Ceremony as an example, aims to explore the protagonist Tayo’s trauma-curing pilgrimage for spiritual redemption from the literary and cultural dimensions, to reveal the kin system and epistemological system in support of the massive American Indian goddess culture, and to decode feminocentric values hidden beneath the American Indian goddess culture.

参考文献

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