小说封面是一个包含文字、图像、印刷版式、布局和色彩的多模态意义整合体,它又与小说内容协同。本文在多模态功能文体分析框架(张德禄、穆志刚2012)的基础上,增加了印刷版式、布局和色彩等模态,提出一个分析封面多模态文体特征的路径。以英国当代作家格林海姆·洛雷的拼贴小说《女性世界》的两版封面为研究对象,按照这一分析路径对比小说两版封面的多模态文体特征、封面内部模态协同特征以及封面与小说内容和文体的协同关系。分析结果显示08版封面更能恰当表达小说内容、向读者传达小说中蕴含的深刻概念意义和人际意义。
The cover of a novel is itself a multimodal meaning integration of verbal mode, image, typography, layout and color, and it is also integrated with the meaning of the content of the novel. In the present study, two versions of the covers of modern British writer Graham Rawle’s Woman’s World are chosen as research objects, and on the basis of the multimodal stylistic framework of Zhang Delu (2012), a new approach to analyze multimodal covers is proposed by adding some new modes, such as typography, layout and color to it. By employing this approach, the multimodal stylistic features and the meaning realizations of the two covers, the inter-semiotic relations of the covers and the integration of the covers and the content of the novel are comparatively studied. The results show that the cover of the 2008 version can more appropriately convey the deep experiential meaning and interpersonal meaning of the novel to readers and fulfill its function.
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