契诃夫发现了日常生活的本来结构并予以艺术还原是他对世界戏剧艺术的重大贡献。使用大量停顿、抒情氛围营造、人物行动内化,使戏剧情节“非冲突化”,还原日常生活平庸和荒谬的本来结构;环形戏剧结构、消却语言逻辑性使其戏剧呈现“非因果化”的反戏剧特征,揭露人类被时间异化的荒诞本质;不走悲剧、喜剧、正剧套路令其戏剧“非类型化”,以非同凡响的超越时间和空间的清醒与透视功力剖析生活,冷峻却不埋怨,悲悯却不悲戚,准确概括并艺术地表现人类意义在时间中消却的悲壮和痛楚,并赋予喜剧性的观照,升华了契诃夫戏剧的美学意义。他一反传统的戏剧创作规则,挑战人们固有的审美习惯,实现戏剧革新,从创作艺术到内涵都给后世留下深远的影响。

Chekhov’s discovery of the original structure of everyday life and its artistic restoration is his great contribution to the world realistic art. The use of a large number of pauses, the creation of lyric atmosphere and the internalization of characters’ actions make the plot of the drama “non-conflicted” and restore the original structure of mediocrity and absurdity of daily life; The circular dramatic structure and the elimination of the logic of language make its drama present the anti-dramatic feature of “non-causality” and expose the absurd essence of human alienation by time; It does not follow the routine of tragedy, comedy and drama, which makes its drama “non-typological”, and analyses life with extraordinary sobriety and perspective beyond time and space. It accurately summarizes and artistically expresses the solemn and stirring and pain of the disappearance of human significance in time, and gives comic attention, which sublimates the aesthetic significance of Chekhov’s drama. His anti-traditional rules of drama creation challenge people’s inherent aesthetic habits, realize drama innovation, and leave a far-reaching impact on future generations from creation to connotation.