Dilemma of “Justice”: the Intertextual Deconstruction of the English Narrative in Macbeth by Dunsinane

doi:10.3969/j.issn.1674-8921.2026.03.016

Abstract

CLC Number:

WANG Runrun, WANG Lan. Dilemma of “Justice”: the Intertextual Deconstruction of the English Narrative in Macbeth by Dunsinane[J]. Contemporary Foreign Languages Studies, 2026, 26(3): 174-182.

References 21

[1]	Angel-Perez E. 2023. “I name all my plays after places”: David Greig in conversation with Elisabeth Angel-Perez[J]. Shakespeare Bulletin 41(1): 51-61. doi: 10.1353/shb.2023.a907990 URL
[2]	Barrow T. 2014. Union[M]. Portsmouth: Playdead.
[3]	Brown I. 2016. History as Theatrical Metaphor: History, Myth and National Identities in Modern Scottish Drama[M]. London: Palgrave Macmillan.
[4]	Burke G. 2006/2010. Black Watch[M]. London: Faber and Faber.
[5]	Callaghan D. 1992. Wicked women in Macbeth: A study of power, ideology, and the production of motherhood[A]. In M. A. DiCesare (ed.). Reconsidering the Renaissance[C]. Binghamton & Medieval & Renaissance Texts & Studies. 355-369.
[6]	Carroll W. C. 2013. The Fiendlike Queen: Recuperating Lady Macbeth in contemporary adaptations of Macbeth[J]. Borrowers and Lenders: The Journal of Shakespeare and Appropriation 8 (2): 1-19.
[7]	Dolan F. E. 2000. Marian devotion and maternal authority in seventeenth-century England[A]. In N. J.Miller & N.Yavheh (ed.). Maternal Measures: Figuring Caregiving in the Early Modern Period[C]. Aldershot: Ashgate. 282-292.
[8]	Gibbon L. G. 1932/2015. Songset Song[M]. Edinburgh: Polygon.
[9]	Gilbert H. & J. Tompkins. 1996. Post-Colonial Drama: Theory, Practice, Politics[M]. Oxon: Routledge.
[10]	Gray A. 1992. Poor Things[M]. London: Bloomsbury Publishing.
[11]	Greig D. 2010. Dunsinane[M]. London: Faber and Faber.
[12]	Maley W. & A. Murphy. 2004. Shakespeare and Scotland[M]. Manchester & New York: Manchester UP.
[13]	McCrone D. 1992. Understanding Scotland: The Sociology of a Stateless Nation[M]. London: Routledge.
[14]	McGrath J. 1973/1981. , The Cheviot, the Stag and the Black, Black Oil[M]. London: Methuen.
[15]	Price V. E. 2012. “Two kingdoms... compassed with one Sea”: Reconstructing kingdoms and reclaiming histories in David Greig’s Dunsinane[J]. International Journal of Scottish Theatre and Screen 5 (1): 19-32.
[16]	Tiffin H. 1987. Post-colonial literatures and counter-discourse[J]. Kunapipi 9 (3): 17-34.
[17]	Wallace C. 2011. Unfinished business—Allegories of otherness in Dunsinane[A]. In A.Müller & C.Wallace (eds.). Cosmotopia: Transnational Identities in David Greig’s Theatre[C]. Prague: Litteraria Pragensia. 196-213.
[18]	彭磊选编. 2011. 莎士比亚戏剧与政治哲学(马涛红等译)[M]. 北京: 华夏出版社.
[19]	莎士比亚. 2024. 《麦克白》注疏(徐嘉笺注)[M]. 上海: 华东师范大学出版社.
[20]	王岚. 2021. 怪诞现实主义视角下的《联合》[J]. 外国文学 (1): 3-13.
[21]	张剑. 2016. 对话莎士比亚:大卫·格雷格的《邓西嫩》[N]. 光明日报 (5-21): 12.

Dilemma of “Justice”: the Intertextual Deconstruction of the English Narrative in Macbeth by Dunsinane

RichHTML

PDF (PC)

Knowledge

Abstract

Cite this article

share this article

References 21

Related Articles 15

Recommended Articles

Metrics

Comments

[1]	WANG Wenyuan, GUO Yuanlin. From “Canon and Historiography” to “Narrative”: Cross Cultural Reconstruction and Its Method in The Cambridge History of Chinese Literature’s Treatment of the Spring and Autumn Annals [J]. Contemporary Foreign Languages Studies, 2026, 26(3): 204-212.
[2]	JIN Fang. Identity Writing and Value Reconstruction: Narrative Strategies Concerning “Théodore” in Louis Aragon’s La Semaine Sainte [J]. Contemporary Foreign Languages Studies, 2026, 26(3): 213-220.
[3]	ZHU Jia, WEI Li. From Natural Devastation to Spiritual Redemption: Ecological Anti-War Narrative Study of Findley’s The Wars [J]. Contemporary Foreign Languages Studies, 2026, 26(3): 221-230.
[4]	ZHAO Jinghui, PEI Xiaowei, GU Junhui. On the Community Writing in 20th Century British Ocean Fiction [J]. Contemporary Foreign Languages Studies, 2026, 26(1): 83-93.
[5]	CHEN Shihua, LIU Tiantian. Philosophical Reflection on Modern Crisis in Warabinokou [J]. Contemporary Foreign Languages Studies, 2024, 24(6): 125-133.
[6]	ZHANG Qiong. Conspiracy of Narrative and Theory: The Implicit Non-narrative Process in Nabokov’s Novels [J]. Contemporary Foreign Languages Studies, 2024, 24(6): 147-157.
[7]	NI Xiaoshan. The Metapoetic Art of Faithful and Virtuous Night by Louise Glück [J]. Contemporary Foreign Languages Studies, 2024, 24(6): 168-176.
[8]	ZHANG Xizhen. How Literature Imagines Thingness: A Critique of A Study on Narrative of Thingness [J]. Contemporary Foreign Languages Studies, 2024, 24(6): 191-195.
[9]	WANG Erlei, WANG Xinyu. The Song of “the Man with the Tomahawk”: Edgar Allan Poe in the Nineteenth-Century American Literary Criticism [J]. Contemporary Foreign Languages Studies, 2024, 24(3): 121-129.
[10]	TIAN Xia. On Desire in Philip Roth’s Novels [J]. Contemporary Foreign Languages Studies, 2024, 24(3): 150-156.
[11]	HUANG Anqi, XU Shiyan. Conversation between Translator and Writer: Exploring the Value of Translator’s “Questioning” in the English Translation Process of Chinese Literature: Examples from the English Translations of the Novel Massage [J]. Contemporary Foreign Languages Studies, 2024, 24(3): 157-165.
[12]	YAO Hongyan. I “Eat”; Therefore I “Am” :Food Narrative and Ethnic Identity in Everything I Never Told You [J]. Contemporary Foreign Languages Studies, 2023, 23(4): 145-150.
[13]	YANG Fan, XU Dejin. The City and Community in Parable of the Sowe [J]. Contemporary Foreign Languages Studies, 2022, 22(6): 148-156.
[14]	MEI Cuiping. New Interpretation of the Death of Roderick Usher:The Result of the Declining Ecostate and Ecorole [J]. Contemporary Foreign Languages Studies, 2022, 22(5): 129-136.
[15]	LIANG Dandan. On the Multiple Perspectives of the Relational Study of Chinese and Foreign Literatures [J]. Contemporary Foreign Languages Studies, 2022, 22(4): 154-160.